With a history spanning more than four centuries, Wu Opera originated in Wuzhou, now Jinhua, in eastern China’s Zhejiang Province. While artists from Anhui Province traveled north to perform in Beijing in the late eighteenth century and laid the foundation for Peking Opera, Wu Opera represented another branch of the same root, which had traveled eastward two centuries earlier. Founded in 1956, the Zhejiang Wu Opera Troupe has both revived traditional works and created new works. The troupe’s performances represent a synthesis of music, dance, and acrobatics. The troupe has performed in Argentina, Austria, Brazil, Cuba, France, Germany, Japan, Romania, Singapore, Thailand, United Kingdom, United States, and Vietnam.
Chen Meilan 陈美兰, vocalist and operatic performer Chen Xiaojian 陈晓建, operatic martial arts performer Chen Xingshun 陈兴顺, operatic martial arts performer Dong Guojian 董国建, operatic martial arts performer Du Xiangjun 杜湘君, musician, huihu/er’hu (string instruments) Hu Dongxiao 胡东晓, operatic martial arts performer and face changing, a tradition adopted from Sichuan opera Jiang Quanqing 姜泉清 Liu Fuming 刘福明, operatic martial arts performer Lou Sheng 楼胜, vocalist, operatic performer and operatic martial arts performer Song Baoduan 宋保端, operatic martial arts performer Tao Yongjing 陶永晶, operatic martial arts performer Wang Xiaoping 王晓平, director Wu Yanxing 武延兴, operatic martial arts performer Xie Linghui 谢玲慧 Yang Xiayun 杨霞云, vocalist, operatic performer, operatic martial arts performer Yan Jianglei 严江雷, musician, hulusi (bottle gourd flute)/suona (wind instrument)/flute Zhao Kongjie 赵孔杰, operatic martial arts performer Zhou Cong 周聪, operatic martial arts performer Zhu Xinheng 朱新恒 Zou Yiqiang 邹毅强, operatic martial arts performer
From the Festival
The Zhejiang Wu Opera Troupe performs in the Moonrise Pavilion.
Photo by Francisco Guerra, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
The Zhejiang Wu Opera Troupe performs “Madame White Snake,” a famous Chinese tale about a snake who transforms into a woman and falls in love with a human.
Photo by Brian Barger, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
An actor performs an excerpt from the “Madame White Snake” opera.
Photo by Josh Weilepp, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Photo by Francisco Guerra, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
The Zhejiang Wu Opera Troupe performs a lion dance.
Photo by Francisco Guerra, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Photo by Walter Larrimore, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
In Chinese Wu opera, the chou (clown) character has a comedic role and is recognizable by a small white patch of stage makeup in the center of the face.
Photo by Maggie Pelta-Pauls, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Bianlian, or face-changing, is a type of performance where the actor changes his mask design at an unbelievable speed.
Photo by Maggie Pelta-Pauls, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Close-up of drummer during a performance of the Dragon Lion Cart.
Photo by Walter Larrimore, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Du Xiangjun plays the erhu.
Photo by Kate Mankowski, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Performers apply makeup backstage.
Photo by Rachel Winslow, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
The Zhejiang Wu Opera Troupe performs using the Dragon Lion Cart.
Photo by Walter Larrimore, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Close-up of performers controlling the Dragon Lion Cart.
Photo by Pruitt Allen, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
Close-up of the Dragon Lion Cart in action.
Photo by Francisco Guerra, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution
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