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2010

México

The barge or canoa is used to transport the vegetables and the ornamental plants to the market in Xochimilco.

Photo by Cristina Díaz-Carrera, Smithsonian Institution

D.R. © Photo by Lorenzo Armendáriz/Comisión Nacional para el Desarrollo de los Pueblos Indígenas/Fototeca Nacho López

Mariachi Tradicional Los Tíos

Photo by Cristina Díaz-Carrera, Smithsonian Institution

In addition to making corn dolls, Amalia Salas Casales uses dyed corn husks to make ornamental flowers.

Photo by Cristina Díaz-Carrera, Smithsonian Institution

México

Introduction

Mexico is one of the richest countries in the world in bio and ethnic diversity. This country of two million square kilometers is home to over 62 indigenous groups who have their own language.

In collaboration with the National Council for Culture and Arts (Consejo Nacional para la Cultura y las Artes) of Mexico, México commemorates Mexico's Independence Bicentenary (1810-2010) and Revolution Centenary (1910-2010) by celebrating many of the cultural communities that live in today's Mexico. México will explore communities whose histories and cultures reach back to pre-Columbian civilizations and whose voices have something to say to us about biocultural sustainability.

Four thematic areas will structure the program: the plaza, the market, the workshop, and the field. In these settings, participants will engage visitors in ceremonial and social dances, satirical processions, traditional and rock music, foodways, crafts, vernacular architecture, healing traditions, farming and fishing techniques, tequila and mezcal production, and demonstrate the knowledge and creativity that has sustained their communities and helped to shape contemporary Mexico.

Video Thumbnail

Participants include members of the Wixárika Union of Jalisco, Nayarit, and Durango, who together with dancers and artisans from their communities will present their strategies for preserving their ceremonial centers. The Teenek of the Huasteca region of San Luis Potosí will reenact a tradition from their cosmology as they fly on the palo volantín. The Seri from Punta Chueca, Sonora, will play Seri rock, which they use to engage the interest of the younger generation in their own culture. A processional satiric Chinelos dance troupe from Morelos will be accompanied by the town band. Other participants include an artisan family from Teotitlán del Valle, Oaxaca, a candy maker from Xochimilco, and instrument makers from Nayarit and Veracruz. Music performances will range from regional mariachi musics from Guadalajara and Michoacán to son jarocho from Veracruz, baile de artesa from Oaxaca, and canción cardenche from Durango and Coahuila. The program will highlight Mexico's basic crops of maguey and corn by featuring the industrial production process for tequila in Jalisco and the more artisanal process for mezcal in Oaxaca. The program will also demonstrate the continuing tradition of pre-hispanic farming featuring a chinampa model garden, as well as traditional corn farming and bee-keeping in Campeche.

  • Introduction
  • Agriculture
  • El Maguey
  • El Mercado
  • La Casa de la Música
  • La Plaza
  • Blog Posts
 Photo by Cristina Díaz-Carrera, Smithsonian Institution
 Photo by Cristina Díaz-Carrera, Smithsonian Institution
 Photo by Daniel Sheehy, Smithsonian Institution
 Photo by Cristina Díaz-Carrera, Smithsonian Institution
 Photo by Olivia Cadaval, Smithsonian Institution
 Photo by Cristina Díaz-Carrera, Smithsonian Institution
 Photo by Cristina Díaz-Carrera, Smithsonian Institution
 Photo by Cristina Díaz-Carrera, Smithsonian Institution
Alejandra Vera makes corn tortillas by hand at lunchtime in the communal lands of Santa Rosa Xtampak, Campeche.
Photo by Cristina Díaz-Carrera, Smithsonian Institution
Javier Jiménez Vizcarra, co-owner of El Caballito Cerrero distillery, shows off two varieties of their tequila.
Photo by Daniel Sheehy, Smithsonian Institution
Three youths from the community of El Ciruelo, Oaxaca, perform the baile de artesa, or artesa dance. An artesa is a long, hollow wooden platform upon which barefoot dancers articulate rhythms that accompany the music.
Photo by Cristina Díaz-Carrera, Smithsonian Institution
In the village of El Saucito, Nayarit, the Unión Wixarika de los Centros Ceremoniales de Jalisco, Nayarit y Durango hold their first meeting with their newly appointed authorities. One of the items on the agenda was the Wixarika's (also known as Huichol) participation in the 2010 Smithsonian Folklife Festival.
Photo by Olivia Cadaval, Smithsonian Institution
José Genovevo Pérez grows spinach in his chinampa, a farming plot on the edge of one of the canals in the Xochimilco lake. The chinampa is built up with the nutrient-rich soil from the lake bottom which is shaped into chapines, or earth blocks, for cultivating the seeds.
Photo by Cristina Díaz-Carrera, Smithsonian Institution
The rock band Hamac Caziim from Punta Chueca, Sonora, performs at the 2009 Fería del Libro de Anthropología e Historia (book festival of anthropology and history) in Mexico City. The band members are Comcaac (also known as Seri) Indians and reinterpret traditional songs using rock rhythms and instrumentation.
Photo by Cristina Díaz-Carrera, Smithsonian Institution
Instrument maker Benito Hernández Villagrama carefully cuts the inlay for a guitarrón, a mariachi bass, in the workshop in front of his house.
Photo by Cristina Díaz-Carrera, Smithsonian Institution

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