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2017

50th Anniversary

1967–2017

Visitors enjoy an evening concert in front of the National Museum of Natural History at the 1971 Festival.

Ralph Rinzler Folklife Archives

Folklife Festival founder Ralph Rinzler shows off his own guitar skills at the 1979 Festival.

Photo by Chip Clark, Ralph Rinzler Folklife Archives

A weaver from the Native American program at the 1970 Festival demonstrates textile traditions.

Photo by Charlie Tompkins, Ralph Rinzler Folklife Archives

The 1973 Festival included racetrack around the National Mall for the Kentucky program.

Ralph Rinzler Folklife Archives

Arabber Sonny Diggs from Baltimore sells fruit at the 1987 Festival.

Photo by Laurie Minor, Ralph Rinzler Folklife Archives

An evening performance under the Washington Monument at the 1969 Festival.

Photo by Diana Davies, Ralph Rinzler Folklife Archives

50th Anniversary

50th Anniversary

June 29-July 4 and July 6-9, 2017

When S. Dillon Ripley, Jim Morris, and Ralph Rinzler began the Folklife Festival, it was seen as a corrective of sorts to the static museum and a narrow view of aesthetically important and inspiring cultural expression. Collaborating closely with grassroots artists and adeptly engaging the public, the Festival has over the past 50 years succeeded in broadening the base for and appeal of cultural democracy in the United States and around the world.

Tens of thousands of cultural exemplars have benefited from demonstrating their traditions on the National Mall and returning home uplifted by the applause and appreciation they received. Most have been fortified in their determination to pass on their skill and artistry, their knowledge and wisdom to the next generation; many have been inspired to extend their cultural traditions for wider social, economic, and educational benefit.

The Festival has greatly enhanced cultural research and documentation around the world, playing a key role in the development of scholarship, university, museum, and government programs. It has inspired laws and international accords for the preservation of cultural heritage and ongoing encouragement of its practitioners. It remains the foremost model of a research-based, participatory public exposition of culture.

In the years ahead I would expect to see the Festival’s methodology and impact magnified in a more closely connected world. The Festival’s universal effort to promote understanding, appreciation, tolerance, and respect for a diverse humanity is something sorely needed today—and likely tomorrow as well.

—Richard Kurin
Former Director, Center for Folklife and Cultural Heritage
Acting Provost, Smithsonian Institution

  • Introduction
  • Ralph Rinzler Memorial Concert
  • Reunion Weekend
  • American Folk Masters
  • Music Playlists
    • Sound Introductions
    • American Latino National Heritage Fellows
    • Routes to American Musical Treasures
    • Best of the Bayou
    • African American National Heritage Fellows
    • Virtuosic Women

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    Did you know that the Dalai Lama visited the Festival, or that a buffalo once gave birth on the National Mall?

Also at 2017 Festival

  • Circus Arts
  • On the Move: Migration Across Generations

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