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← STORIED OBJECTS / Bhutanese Painting
A large horizontal painting of an imaginary landscape filled with animals, water features, and architectural elements—including the U.S. Capital Building and the Washington Monument—is painted in predominantly blue and green. In the far-right foreground sits an old man with a yellow halo, wearing a red robe as he ladles water into a bowl for the birds and deer near his folded legs.

Photo by Zvonimir Bebek, Ralph Rinzler Folklife Archives

Image Description A large horizontal painting of an imaginary landscape includes from left to right: an elephant, monkey, rabbit, and bird standing on top of each other, the U.S. Capital Building and Washington Monument behind them, next to a rock mountain spewing water in the center. On the right sits a white-bearded man in a red robe sitting with folded legs on two pillows. He ladles water from a bowl with his right hand and holds a string of white beads in his left. A yellow sun makes a halo behind his head. Birds and deer rest near his folded legs, and there are cloud forms billowing behind the rock mountain and below the ground on which he sits.

Bhutanese Painting

Asha Kama Wangdi was trained in both the traditional cultural arts of Bhutan and expressive contemporary painting. When he created this large canvas during the 2008 Festival’s Bhutan program, he worked outside under a tent within view of the Washington Monument. During his two weeks on the National Mall, scores of visitors added brushstrokes to complete the composition.

Symbols of longevity and hope illuminate the National Mall

Kama Wangdi still carries fond memories of his time participating in the 2008 Folklife Festival. He recalls the “talks, laughs, and discussions” with the many people who stopped by his tent. He reminisced that he worked to imbue the positive energy he felt from these interactions into the painting, and noted that Bhutanese art, especially paintings, carry “harbingers of hope,” which he expressed by weaving three offerings of blessings into the composition to “guide our happiness and self-realization through unity and harmony.” The blessings are embodied by the Six Longevities, Four Harmonious Friends, and Eight Auspicious Symbols. He named the painting: “Three Offerings of Blessings to the United States.”

At five feet high and nine feet long, the painting now hangs in a long hallway at the Center for Folklife and Cultural Heritage. Passersby are drawn into the composition at eye level, first encountering the ancient Recluse, a Buddhist sage who manifests longevity in harmony with nature. He is surrounded by significant flora, fauna, and geologic features that combine to represent the Six Longevities. The Washington Monument and Capitol Building share middle ground with the Immutable Rock of Longevity which spouts pure, restorative water. The Four Harmonious Friends on the far left and Eight Auspicious Symbols (visible in the blue squares in the sky) complete the blessings.

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    Photo by Zvonimir Bebek, Ralph Rinzler Folklife Archives

The Four Harmonious Friends are drawn from a popular Bhutanese tale about the value of cooperation. In the version recounted by co-curator Preston Scott, the peacock finds and plants a seed, which is watered by the rabbit, then fertilized by the monkey. After the seed sprouts and the young plant starts to grow into a tree, the elephant protects it. Once the tree matures, however, the fruit is too high to be reached by any of the four animals. By standing on top of each other and combining their strengths, they are all able to reach the fruit and enjoy the reward of their cooperation.

—Erin Younger, exhibition curator
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