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      • 1980
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      • 1974
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      • 1968
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      • 1967
        • Crafts (1967)
        • Performances (1967)
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Past Programs

1968 Festival of American Folklife
July 3-7, 1968

After the 1967 Festival proved to be a great success, the Smithsonian decided that the Festival of American Folklife would become an annual event. The 1968 Festival took place July 3-7 on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the Museum of History and Technology and the Museum of Natural History. It followed the same approach that had proven effective in 1967, but innovated by also including a program focused on a single State, Texas.

As in 1967, the Festival was organized by the Division of Performing Arts, James R. Morris, Director, and directed by Festival Director Ralph C. Rinzler.

The 1968 Program Book included information to complement each of the programs, ranging from discussions of the definitions of folklore and folklife to the relations between folklife and cultural history. Smithsonian Secretary S. Dillon Ripley, in his introduction to the booklet, noted that:

The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the cultural roots of the people of the United States. The Festival is a living exhibition of the creativity of the many ethnic groups that make up the culture of this country.

1968 Programs

  • Crafts
  • Performances
  • Texas

Related Content

  • 1968 Festival Program Book
  • 1968 Festival Finding Aid
  • Program Book Articles

Program Book Articles

  • Institute of Texan Cultures


    The Institute of Texan Cultures was established for the immediate purpose of preparing a creditable exhibit for Hemisfair and for the long-range…

  • Why American Folklife Studies?

    Samuel Stanley

    More than any other modern nation, the United States is an amalgam of people from all over the world. Its "main stream" flows from Europe with its…

  • The San Antonio Conservation Society


    It has been said that "He who knows the history of San Antonio, knows the history of Texas." With this in mind, the San Antonio Conservation Society…

  • The Index of American Design

    E. O. Christensen

    The Index of American Design is a record made by artists of a chapter in American history which is largely anonymous. It is the story, told in…

  • The Historic Roots of American Folklife

    C. Malcolm Watkins

    Folklife in America is essentially a condition of the past; even where it still exists it belongs to the past. Documenting and recording and…

  • The Folklife Festival Program

    S. Dillon Ripley

    The Festival of American Folklife offers the Smithsonian Institution an opportunity to show through demonstration and performance some aspects of the…

  • The Appalachian Dulcimer

    Scott Odell

    Two entirely different instruments, one plucked, the other struck with small hammers, bear the name "dulcimer," and the resulting confusion often…

  • Survivals of Spanish Crafts in New Mexico

    Richard E. Ahlborn

    Spanish crafts of New Mexico survive today as fragments of an earlier and more vital culture. The traditional materials, methods and motifs employed…

  • Smithsonian Musuem Shops - Showcase for Crafts


    To serve the varied interests of museum visitors, and to stimulate collectors young and old, the Smithsonian has developed unique shops and bookshops…

  • New Orleans Life and New Orleans Jazz

    Richard B. Allan

    New Orleans jazz is a musical style that has a special meaning in its native setting. A current saying here is, "What did you bring it for if you're…

  • A Note on Textile Crafts

    Grace R. Cooper

    From antiquity to the last part of the eighteenth century, the conversion of fibers into materials was a handcraft. Wool fibers may have been the…

  • What is Folklore

    Wayland D. Hand

    Folklore is a convenient name for a highly diversified body of lore, folk wisdom, and folk art that is passed on from generation to generation, most…

  • Gravestone Carvings in Early New England - An introduction to the exhibition of rubbings

    Avon Neal, Ann Parker

    Just as the North Coast Indians carved totem poles, the Vikings cut runic inscriptions on massive monoliths, and the Romans, Egyptians, Chinese and…

  • Genres in Negro Oral Poetry and Song

    Bruce Jackson

    It is perhaps ironic that the immigrant group least well served by the American educational system should be the only such group to maintain viable…

  • Folklore and Folklife

    Don Yoder

    Defining "folklore"--one of the favorite academic games of the 20th Century--has enlivened most recent sessions of the American Folklore Society and…

  • Folklore

    Bruno Nettl

    Folklore is art--literary, musical, dramatic, and to an extent visual--that lives primarily in oral tradition, is used mainly by performers and…

  • Fiddle Contests and Conventions

    Guthrie T. Meade

    Little has been written about the fiddle contest or convention, one of America's oldest folk institutions. Such events, varying in magnitude, have…

  • What is Folklore?

    Richard M. Dorson

    Folklore is the culture of the people. It is the hidden submerged culture lying in the shadow of the official civilization about which historians…

  • Basques

    William A. Douglass

    The Basques inhabit a small, mountainous corner of southwestern France and northern Spain--an area which includes a portion of the western Pyrenees…


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