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← STORIED OBJECTS / Peruvian Retablo
A tall wooden cabinet, with doors wide open, features brightly colored, detailed scenes created from numerous clay figurines arranged on four shelves.  

Photo by Zvonimir Bebek, Ralph Rinzler Folklife Archives

Image Description A tall, decorative wooden cabinet is divided into four densely packed shelves that each showcase detailed tableaux of colorful animals, figures, and plants—including baby Jesus and numerous saints—all made from brightly colored molded clay and vividly painted backgrounds. The wide-open doors of the cabinet are painted white with swirls and floral shapes in bright red, orange, green, glue, and purple. A painted yellow wedge decorated with red swirling shapes tops the cabinet to form a low-pitched roof.  

Peruvian Retablo

Master artist Alfredo López of Ayacucho, Peru, takes us on a cultural journey through his storytelling shrine, acquainting us with a world of belief, the life of cattlemen, and the customs of communities in the Peruvian Andes.

A skilled storyteller sculpts a cultural journey into Andean life

This large, colorful retablo is exemplary of Alfredo López’s finest work. It holds layers of meaning about his community’s heritage and the details he chooses to depict. He learned to make retablos from his father and grandfather, and today still uses his grandfather’s molds. During the tumultuous 1980s when the militant Marxist-Leninist “Shining Path” insurrection took over the highlands, many families fled the region. López’s family managed to stay, and his grandfather was pivotal in keeping the retablo tradition alive.

Retablos grew from early portable altars carried to South America by Spanish missionaries. Saint Mark—the patron saint of farm animals—became a favorite figure of cattle ranchers and was believed to protect the herds from disease and theft. Thus did the worlds of colonists, missionaries, and indigenous people begin to entwine. The inclusion of cattle with everyday life and religious practice still marks the retablos of Ayacucho—this box included.

Gallery
  • On the ground level, community members celebrate the Pukllay Fiesta with an Andean bullfight in the field, surrounded by prayers and blessings.
  • The second level features the whipping of cattle thieves with community members pleading for pardon. One woman begins preparing a mesa, an offering of thanks to the sacred mountains, floating above them all.
  • The third level shows the patron saints of animals favored in the region: goats, sheep, cattle, and packing animals. Additional offerings are made of birds and bound calves. People are on their knees praying to give thanks for a good year.
  • The top level features an Andean celebration of the birth of Jesus. Traditional figures of the nativity are depicted (including a very large baby), along with a güerajos de Ayacucho (clown) with a white face mask, said to be able to disclose the secrets of others.
—Olivia Cadaval and Rafael Varón Gabai, program curators
  • Young Alfredo with his father, standing next to former Peruvian president Fernando Belaunde Terry.

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