After a stormy night, our guests and participants gathered once again on the National Mall. Day Two brought a diverse crowd to the Festival, including groups of summer campers weaving our community basket at the Family Activities tent, chefs crafting delicious recipes like peixe na patioba, a Brazilian grilled yellowfish snapper, and people from all backgrounds coming together to celebrate living traditions.
“Culture is the immune system of a people,” said Thunder Williams (Afro-Carib), who spoke on a panel about Afro-Indigeneity.
Saw something you loved at the Festival? Don’t forget to share it on social media with the hashtag #2024Folklife.
Haudenosaunee athletes led visitors of all ages in a lacrosse scrimmage on America’s Front Lawn—the National Mall.
Photo by Karen Kasmauski, Ralph Rinzler Folklife Archives
Lily Hope (Tlingit), from Juneau, Alaska, showed visitors her Chilkat weaving in progress.
Photo by Josh Weilepp, Ralph Rinzler Folklife Archives
Weaver Kevin Aspaas (Diné) has returned to the Festival for the second year in a row, showcasing connections between art and spirituality.
Photo by Daniel Martinez Gonzalez, Ralph Rinzler Folklife Archives
The DinéTah Navajo Dancers took to the Four Directions Stage, presenting traditional dances that are linked with seasonal and ceremonial life. The name DinéTah, meaning “among the people,” is the name for the Navajo homeland in the Four Corners region.
Photo by Bill Douthitt, Ralph Rinzler Folklife Archives
Storyteller Gene Tagaban/Guuy Yaau performed at the museum’s amphitheater. He tells stories from the Takdeintaan or Raven, Freshwater Sockeye clan from Hoonah, Alaska.
Photo by Carys Owen, Ralph Rinzler Folklife Archives
Antonia Gonsalves da Silva (Pataxó) prepared peixe na patioba, a grilled yellowtail snapper traditionally wrapped in patioba palm leaves—banana leaves here, due to customs restrictions—at the Foodways demonstration stage.
Photo by Sonya Pencheva, Ralph Rinzler Folklife Archives
To begin the “Afro-Indigenous Heritage, Belonging, and Resistance” session, artist-activist Penny Gamble Williams (Chappaquiddick Wampanoag; left), alongside Thunder Williams (Afro-Carib), led a prayer to center the speakers and the audience in this moment, on this sacred land.
Photo by Sonya Pencheva, Ralph Rinzler Folklife Archives
In addition to watching the work of Guate-Maya DC at the Barriletes | Kites tent, you can play the marimba, an instrument that is central in traditional Maya culture.
Photo by Daniel Martinez Gonzalez, Ralph Rinzler Folklife Archives
A perk of having a mother on staff at the Folklife Festival: you get to join the Amondawa archers in target practice.
Photo by Phillip R. Lee, Ralph Rinzler Folklife Archives
Through Friday, visitors can help artist Reyna Hernandez (not pictured) create her mural at the Family Activities tent.
Photo by Stanley Turk, Ralph Rinzler Folklife Archives
Molly Szymanski is a media intern with the 2024 Folklife Festival. They are from Baltimore and currently live in College Park, Maryland. Elisa Hough is the editor and web content manager for the Center for Folklife and Cultural Heritage.
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