Explore the 2026 calendar and interactive story map to find events in your region!
A signature skill learned in jail
William Richard was the patriarch of three generations of Acadian/French American loggers and wood carvers. He was born in 1900 in New Brunswick, Canada, and moved to northwestern Maine to seek work in the woods. As described by folklorist Peggy Yocom, William Richard’s delicate fan towers are “mind-tricking sculptures” that conjure birds in flight or dancers’ swirling skirts. This carving consists of two fans perched on a vertical shaft that includes two round “balls-in-cages.”
After working several years in logging camps outside Phillips, Maine, Richard married and helped raise five children. He provided for his family by working as a logger and whittling small pieces for sale on the side. In the early 1930s, he learned to make the fan towers through an unusual apprenticeship:
—Peggy Yocom, folklorist
Richard participated in the 1976 and 1983 Folklife Festivals. He enjoyed hearing visitors speculate about his methods: were the balls pre-shaped and inserted into the cages? Were the fans made of Popsicle sticks glued together? In the end, he always set them straight: the fans were carved and bent from single pieces of wood—no glue involved. Although fan towers eventually spread as far west as Oregon, the double-fan tower remained the specialty of Richard and his mentor, Raymond Bolduc. Today, his grandson, Rodney “Butch” Richard continues to carve them, as had Butch’s father, Rodney Richard Sr.