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50 Objects - Chinelo Costume
  • Chinelo Costume

    Chinelo Costume
    Photo by Zvonimir Bebek, Ralph Rinzler Folklife Archives

    This Chinelo costume, replete with velvet, lace, and vibrant trim, includes detailed beadwork of legendary figures that inspired the maker: Egyptian goddess Isis adorns the front; a female Aztec warrior kneels on the back. The costume was worn by dancer Karem Rodríguez Pacheco of Atlatlahucan, Mexico.

    The Story  +
    • Maker

      Sergio Aurelio Rodríguez, Margarita Rebecca Pacheco Rodríguez
    • Location

      Morelos, Mexico
    • Festival Program

      2010 México

    Playfully mocking the colonists

    “For the México program, we worked very closely with specialists, anthropologists, ethnomusicologists, linguists, and researchers who took us to the sites. The community members became part of defining why it was important for them to come to the Festival. I remember in Atlatlahucan they dressed me as a Chinelo with the costume of one of the members of the troupe. They also taught me the dance step—a little awkward kick meant to poke fun

    —Olivia Cadaval, program curator

    Karem wears the Chinelo costume donated to the Center for Folklife and Cultural Heritage during this procession on the National Mall.
    Karem wears the Chinelo costume donated to the Center for Folklife and Cultural Heritage during this procession on the National Mall.
    Photo by K. Fodgen, Ralph Rinzler Folklife Archives

    The Chinelos de Atlatlahucan are a carnivalesque dance troupe that form part of Mexico’s broad repertoire of dramas and masquerades drawing from European and Indigenous traditions. Dressed in elaborate velvet gowns and headdresses from head to toe, masked Chinelos playfully mock the white Spanish colonizers of the sixteenth and seventeenth centuries. During Carnival and community fiestas, they joyfully dance through the town accompanied by the local Banda de Morelos.

    Watch the Chinelos de Atlatlahuacan perform during the 2010 México program.

    The word Chinelo derives from the Náhuatl word tzineloa, which means “hip shake,” a movement intended to make the Chinelo look awkward or disjointed, adding to the ridicule. El brincón, or jump, is a traditional and lively dance, accompanied by a brass band, seen especially during Carnival festivities.

    Chinelo costumes are passed on over the years and redesigned over time. This costume was once decorated with a yellow boa. It was last redesigned by Sergio Aurelio Rodríguez and Margarita Rebecca Pacheco, then worn by their daughter Karem Rodríguez Pacheco during the 2010 Festival. The scarf is used with the mask and headdress to protect the forehead and face from being rubbed by the mesh. Beads hang over the face, and a fully beaded and painted back panel is worn like a cape.

    Chinelos have become part of the identity of the state of Morelos in Mexico, and Chinelo dancers now perform the dances at various festivals in the United States.

    —Amalia Cordova, Latino curator
    • Maker

      Sergio Aurelio Rodríguez, Margarita Rebecca Pacheco Rodríguez
    • Location

      Morelos, Mexico
    • Festival Program

      2010 México
    • Materials

      Cloth, glass beads, feathers, nylon mesh
    • Measurements

      Robe: 59” L x 22”; headdress: 11.5” H x 18.5” Dia.; 29” H overall with feathers
    • Catalog Number

      MCC 525 a-f. Gift of Rodríguez family
    • Related Links

      2010 Program Book, “México: From Unknown Mexico to Amazing Mexico” by Rodolfo Palma Rojo with Olivia Cadaval


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