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50 Objects - Orphan Tower
  • Orphan Tower

    Orphan Tower
    Photo by Zvonimir Bebek, Ralph Rinzler Folklife Archives

    The Orphan Tower draws you into the venue: a Plexiglas structure that extends more than seven feet towards the peak of the tent, enveloped by hundreds of handmade dolls each unique in its hairstyle, fabric dress, and decorative beadwork. And then you learn what they symbolize.

    The Story  +
    • Maker

      Beauty Ndlovu, Celani Noijeza, Tholiwe Sitole, Lobolile Ximba, Sbongile Ximba
    • Location

      Dannhauser Village, KwaZulu-Natal, South Africa
    • Festival Program

      2012 Creativity and Crisis: Unfolding the AIDS Memorial Quilt

    The power behind the “Orphan Tower”

    The 2012 Folklife Festival featured Creativity and Crisis: Unfolding the AIDS Memorial Quilt to mark the 25th anniversary of the AIDS Memorial Quilt and thirty years of life with AIDS. With the quilt as the anchor, this program commemorated the innovative and resourceful ways communities work to educate people and help them cope with one of the most complex pandemics in modern history.

    This was made all the more poignant in the Common Threads tent, which was co-curated by the NAMES Project Foundation and the UCLA Art & Global Health Center. At the center was the “Orphan Tower,” made by the Siyazama (Zulu for “we are trying”) Project in South Africa, an organization developed in 1998 to work with women from the KwaZulu-Natal region. Its goals were to teach women market skills, inform them about HIV/AIDS transmission and prevention, and create a means to share information through traditional artistic skills and knowledge.

    Beauty Ndlovu and Lobolile Ximba came to the Festival to demonstrate doll making and beadwork. Visitors to the tent quickly learned that each of the 634 dolls on the tower represents a child who was orphaned because of AIDS in Dannhauser, KwaZulu-Natal. With a population of only 5,389 (2011), 634 dolls represent nearly one out of eight children—a staggering number made even more alarming through the use of a child-friendly object.

    The dolls were carefully mounted each morning and taken down at the end of the day. A simple system was devised to display the dolls by inserting a thumbtack on each back and slipping it into a slot cut into the Plexiglas.
    The dolls were carefully mounted each morning and taken down at the end of the day. A simple system was devised to display the dolls by inserting a thumbtack on each back and slipping it into a slot cut into the Plexiglas.
    Photo by Carsten Schmidt, Ralph Rinzler Folklife Archives
    Photo by Zvonimir Bebek, Ralph Rinzler Folklife Archives
    Photo by Zvonimir Bebek, Ralph Rinzler Folklife Archives

    The Orphan Tower came into our possession after a derecho swept through the Festival grounds on June 29, 2012. The severe storm, with wind gusts measuring sixty to eighty miles per hour, destroyed tents, crushed tables, and sent the “Orphan Tower” with all its dolls into the mud. Even after borrowing office space in the Smithsonian Castle to lay out, clean, and dry the dolls with a fan, they could not be restored to their original likeness. The Center negotiated to acquire the dolls and the structure and reimbursed the UCLA Art & Global Health Center so that the women of Dannhauser could make another powerful teaching tool for their community.

    —Arlene Reiniger, program curator
    Orphan Tower
    Beauty Ndlovu in the Common Threads tent.

    Photo by Walter Larrimore, Ralph Rinzler Folklife Archives

    • Maker

      Beauty Ndlovu, Celani Noijeza, Tholiwe Sitole, Lobolile Ximba, Sbongile Ximba
    • Location

      Dannhauser Village, KwaZulu-Natal, South Africa
    • Festival Program

      2012 Creativity and Crisis: Unfolding the AIDS Memorial Quilt
    • Materials

      Fabric, glass beads
    • Measurements

      4” x 1.5” each; overall: 87” H x 13” W
    • Catalog Number

      MCC 734. CFCH Purchase
    • Related Links

      “Unpacking the Orphan Tower,” Festival Blog


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